Digital Music charges? First record company to send to a home bar!數字音樂收費嗎？第一唱片公司送的家吧！

About Online songs to charge this thing, sounds a lot, to see if the media and the digital music industry friends again recalled the circumstances surrounding the charges under; Indeed, the impact of the Internet, the music industry, the impact of the free and the record industry, but to expect Pay save the recording industry is in fact diametrically opposed - Times have changed, the music industry and the music industry to separation is the strain of the road.
   In the triple Wang Xiaofeng’s “Do not think” blog to see a set of data, in order to charge digital music in the background done a very good comment:
      “According to the China Audio & Video Association Working Committee 2012 album release of” Chinese pop music market research report “shows that in 2010, the entity record revenue of about 180 million yuan, the annual total income of 48 million yuan copyright;
       Online music market revenues of approximately 1.264 billion yuan, 632 million yuan copyright holders due and paid 99 million yuan;
       Wireless music market revenue 30 billion yuan, 15 billion yuan copyright holders due and paid 514 million yuan;
       Download mobile Internet market of about 300 million times a year, about 12 million times online listening, but the copyright holders do not derive any revenue;
       Performance market only use a copyright, copyright royalties as high as 8.6 billion yuan, 344 million yuan due and paid 2.144 million yuan;
       Kara OK market accounts Royalty 7,280,000,000 yuan, paid 120 million yuan, 29.94 million yuan obtained from the copyright owner;
       Market value of 430 million yuan broadcast television, the copyright owner does not derive income;
      Background music in public places royalty also a conservative estimate of $ 20 billion paid 17.31 million yuan, 13,848,000 yuan paid to copyright owners.
      Music created by annual commercial value of about 68 billion yuan or so, if last year’s 17 billion to create a Chinese film box office to make a comparison, the equivalent of creating four movie box office. Music copyright holders should receive 43.7 billion yuan from the copyright fees, but actually only got $ 700 million. “
   If you look at the figures, the record companies are not just the enemies of the Internet, one after another:
   Wireless music sites online music site performance market market radio and television … Kara OK.
   In popular music program, ‘I am a singer “for example, accused Yu Quan win a” Candlelight mother “songwriters not only did not receive royalties, but also fans accused of” greed “and so on.
   In recent years singing fiery type of program, the number of paid Royalty? These TV’s music class activities, which are all naked business practices.
   Of course, there are more strange thing, such as Accidental children sing their own songs, but also by copyright organizations which royalties; visible current China’s copyright protection and charging system, is quite strange.
   If you can, not just stare at the eyes of the Internet, the recording industry, oh, it should be the size of the music industry is still huge, more than enough to create business value, but the value of this distribution to be a big problem, leading to make music people can not earn money.
   And this solution, if only stare at the closing Internet music lovers purse, this problem still no solution.
   In closing version of protecting domestic music market is not standardized, there are also other singers like the legendary phoenix fore, only in terms of their income subject: Performance and Wireless is the largest, physical record more symbolic significance, this is the music industry’s status quo , destined to become a “small minority” of.
   Kunshouyoudou record companies, not the music industry Kunshouyoudou, as long as there are good people good works, the total is still someone who can make money; And if we can have the commercial value of the music market to create a more rational allocation of some of the days of music should be better. This is the task for the record companies, only the domestic market, the record companies do, is not good enough; course, there are numerous reasons for this is not a record company thing, but, status quo is so not good enough.
   Record companies to send to a home, remodeling the music industry, music, people long way to go.
   Of course, as a non-music enthusiast, paid online music buy this thing, very far away; but they do not mind sites by selling advertising business model to provide users with free music.
   The charging music website success look luck.
關於在線歌曲充電這件事情，聽起來很多，如果媒體和數字音樂產業的朋友再次回憶當時情況下周圍的收費;事實上，互聯網，音樂產業的影響，影響的自由唱片業，但期望薪拯救唱片業其實是截然相反 - 時代變了，音樂產業和音樂​​產業分離的應變之道。
汪嘯風在三網融合“不要以為”博客上看到的一組數據，以收取數字音樂在後台做了一個很好的註釋：
“據中國電子音響及視像協會工作委員會2012年專輯發布的”中國流行音樂市場研究報告“顯示，2010年，收入約180億元，年均總收入為4800萬元版權的實體記錄;
在線音樂市場收入約1.264十億人民幣，6.32億元版權持有到期並支付9900萬元;
無線音樂市場收入30億元人民幣，1500億元版權持有人到期並支付5.14億元;
下載移動互聯網市場規模每年約300萬次，約12萬次，在線收聽，但版權持有人不會產生任何收入;
性能市場上唯一使用版權，版權費高達8.6十億人民幣，3.44億元逾期支付2144000元的;
卡拉OK市場佔版稅72.8億元，支付120萬元，2994萬元獲得版權擁有人的;
市值4.3億元的廣播電視，版權擁有者不賺取收入;
在公共場所的背景音樂版稅保守估計也在1731萬元支付$ 20億美元，13848000元支付給著作權人。
音樂創造了每年的商業價值約68億元人民幣左右，如果說去年的17億元，創造了中國電影票房做一個比較，相當於創建四個電影票房。音樂版權持有人應獲得43.7十億人民幣的版權費，但實際上只得到了7億美元。 “
如果你看看數字，唱片公司不只是互聯網的敵人，此起彼伏：
無線音樂網站的在線音樂網站性能市場市場無線電和電視…卡拉OK。
在流行音樂節目，“我是一個歌手”為例，指責羽泉贏得“燭光母親”詞曲作者不僅沒收到稿費，但也是球迷指責為“貪婪”等。
近年來唱著火熱的節目類型，數量支付版稅？這些電視音樂類活動，這都是赤裸裸的商業慣例。
當然，還有更奇怪的事情，如意外孩子們唱自己的歌，但也受版權組織的特許權使用費，可見目前中國的版權保護和充電系統，是很奇怪的。
如果可以的話，不只是盯在眼裡的互聯網，唱片業，哦，應該是音樂行業的大小仍然是巨大的，足夠多的創造商業價值，但這種分配的價值是一個大問題，導致音樂人掙不了錢。
這個解決方案，如果只盯著收盤互聯網音樂愛好者的錢包，這個問題仍然沒有解決。
在收盤版本保護國內音樂市場是不是標準化的，也有其他歌手像傳說中的鳳凰脫穎而出，只有在他們的收入受：性能和無線的最大的，物理記錄更多的象徵意義，這是音樂產業的地位現狀，注定要成為一個“小眾”。
困獸猶鬥唱片公司，音樂產業困獸猶鬥，只要有良好的人的優秀作品，總還是有人可以賺到錢的人，如果我們能有音樂市場的商業價值，以創造一個更合理的 分配一些音樂的日子應該會更好。這是唱片公司的任務，只有國內市場，唱片公司做的不夠好，當然，也有許多原因是沒有一家唱片公司的事情，但是，現狀是不夠 好。
唱片公司送回家，重塑了音樂產業，音樂，人長的路要走。
當然，作為一個非音樂發燒友，支付在線音樂買這個東西，很遠的地方，但他們不介意通過賣廣告的商業模式，為用戶提供免費的音樂網站。
收費音樂網站的成功看運氣了。